Do the Right Thing – Film Review

This is the movie that made people to have varying view. Some of the people have argued that the movie is likely to cause trouble in the society. Other perceive the movie to be the work of the middle-class directors who are attempting to play street-smart. All these varying view fails to represent the central fact of this film, which is the true reflection of the current situation about race relations in the American society (Lee, 1989). It is true the film waver between the street values and middle-class values, but it is not true that it represent the liberal militancy or pieties. It is factual that some of the characters in the film exhibited hateful behavior and others were sympathetic. In fact, some of the characters that looked likeable did bad things in the film.

The reality of the film “Do the Right Thing” is that it did not either presented an environment filled by hate or brotherly love. It demonstrated the concern about urban cynicism that has been slowly engulfing American society in the recent years. “Do the Right Thing” moved away from the traditional good feeling of the 1960s that was accompanied by the hope for many people (Lee, 1989). It was accurate for the director to inform the public and audience that it was no longer workable to produce films that make American society to believe that all races living in United States were going to love one another and coexists peacefully. The truth was that gap in the middle class of all races was widening and they were running from what was happening in the inner cities. In addition, federal government administrators were not doing anything to give hope to the poor. Therefore, the director of this film intended to inform the general public that do the right thing by being honest and telling unsentimental story about those who are left behind. With the limited resources and all races competing for the same resources, the division among the middle-class is widening and the poor are getting poorer.

The film is well presented with beautiful photographs taken by Ernest Dickerson and well casted. Specifically, Aiello played a vital role in the entire film by vividly bringing out all the nuance situations (Mock, 1995). For instance, towards the end of the final scene, the conversation between Sal and Mookie presented some little hope in the society, but the major theme of this final episode was to show that at least something has been learned from the film.

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